Novak Djokovic is defaulted after hitting a line judge with a ball during his match with Pablo Carreno Busta

US poverty-News Analysis-12-15-2011

From album News "Hot Off The Press" 1974 US Pop Psych <br /> <br />Reviews from Acid Archives : <br /> <br />Here’s a unique and outstanding 70s pop album. The lead instrument is a pedal steel guitar, played with more imagination than anywhere other than the Misunderstood’s studio recordings, often with some nice fuzzy distortion. It rarely sounds “country.” The songs are strong pop/rock, with Beach Boys-style harmony vocals on the softer songs, and tougher (but still melodic) singing on the rockers. Other than the opening “song” (three minutes of a guy fiddling with a radio dial), everything here is memorable, and no two songs sound alike. My pick hits are the powerful “Loser,” with a stunning steel guitar solo, and the long album-closer “New York City,” but this is consistent enough that any given listener could feel equally strong about any two others. This is exactly the kind of band a daring major label executive would have struck gold with in the 60s, but nobody would dare to touch in the 70s.. <br /> <br />Excellent and still fairly unknown LP on the same local CT label as D R Hooker. The bulk of it is terrific 1960s westcoast-flavored folkrock with a dreamy psych vibe and good vocal harmonies. I'm reminded of other 60s-in-the-70s trips such as Creme Soda or the good tracks on Spur more than anything else, with lyrics that show the retro feel to be deliberate on the band's part, openly referring to old songs by the Byrds, the Beatles, etc. Not sure what they were aiming for with this, but it does produce an appealing sound. Another reference point is Merrel Fankhauser in his melodic '66-67 phase. Opening track of random radio chatter is unfortunate and may have turned some buyers off, and there is a so-so Creedence ripoff on side 2, but apart from that -- meaning 8 tracks out of 10 -- this is a delight. Recommended to any fan of melodic 60s sounds, and not terribly hard to find..

Chroniqueur : Claude Budin-Juteau<br /><br /><br /><br />À l'occasion d'Halloween, direction Los Angeles, la cités des anges, pour visiter un château pas comme les autres... C'est un véritable temple de la magie.

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From album News "Hot Off The Press" 1974 US Pop Psych <br /> <br />Reviews from Acid Archives : <br /> <br />Here’s a unique and outstanding 70s pop album. The lead instrument is a pedal steel guitar, played with more imagination than anywhere other than the Misunderstood’s studio recordings, often with some nice fuzzy distortion. It rarely sounds “country.” The songs are strong pop/rock, with Beach Boys-style harmony vocals on the softer songs, and tougher (but still melodic) singing on the rockers. Other than the opening “song” (three minutes of a guy fiddling with a radio dial), everything here is memorable, and no two songs sound alike. My pick hits are the powerful “Loser,” with a stunning steel guitar solo, and the long album-closer “New York City,” but this is consistent enough that any given listener could feel equally strong about any two others. This is exactly the kind of band a daring major label executive would have struck gold with in the 60s, but nobody would dare to touch in the 70s.. <br /> <br />Excellent and still fairly unknown LP on the same local CT label as D R Hooker. The bulk of it is terrific 1960s westcoast-flavored folkrock with a dreamy psych vibe and good vocal harmonies. I'm reminded of other 60s-in-the-70s trips such as Creme Soda or the good tracks on Spur more than anything else, with lyrics that show the retro feel to be deliberate on the band's part, openly referring to old songs by the Byrds, the Beatles, etc. Not sure what they were aiming for with this, but it does produce an appealing sound. Another reference point is Merrel Fankhauser in his melodic '66-67 phase. Opening track of random radio chatter is unfortunate and may have turned some buyers off, and there is a so-so Creedence ripoff on side 2, but apart from that -- meaning 8 tracks out of 10 -- this is a delight. Recommended to any fan of melodic 60s sounds, and not terribly hard to find..

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Chroniqueur : Claude Budin-Juteau<br /><br /> <br /><br /> <br /><br />Créée il y a douze ans, la fondation Flax est un programme d’échanges culturels entre artistes français et américains. <br /><br /> <br /><br />Une galerie à Los Angeles présente les œuvres de ces artistes invités à travailler sur des projets précis. Claude Budin-Juteau, le correspondant de Télématin aux Etats-Unis, est allé visiter la galerie Flax.

US Army Special Forces #Soldiers assigned to 10th Special Forces Group honed their marksmanship and close-quarters battle skills near Stuttgart, Germany in April 2021<br /><br />These soldiers, part of an Operational Detachment-Alpha, or ODA, regularly train in the painstaking art of precision shooting in confined spaces. The soldiers also practiced the core Special Forces task of familiarising themselves with foreign weapons systems - in this case, a German-made MP5 submachine gun. #Military <br /><br />Footage includes shots of #SpecialForces Soldiers firing pistols and rifles at a firing range, as well as shots of soldiers performing close-quarters battle drills. Shots are at normal speed and in slow motion. #SOF<br /><br />"The appearance of U.S. Department of Defense (DoD) visual information does not imply or constitute DoD endorsement."<br /><br />Credit to : 1st Lt. Robert Kunzig <br />U.S. Special Operations Command Europe

The US embassy in Islamabad has issued an alert for its members not to visit Marriott in the Pakistani capital due to a possible attack. <br /> <br />#USembassy #MarriottHotel #Islamabad <br />

The Pentagon has released a summary report detailing a months-long series of fatal decisions in the lead-up to deadly ambush that left four American and five Nigerian soldiers dead in October 2017.<br /><br />The BBC has reconstructed a timeline of events illustrated by US military training videos that reveal just what went wrong. <br /><br />Please subscribe HERE http://bit.ly/1rbfUog

"Us" can be traced back to an Instagram post of J. Lo in the studio with Skrillex and Poo Bear in March of last year.